The figure of a naked girl, sitting on a throne/chair as the only figurative sculpture and without a male element, assures us with a calm and dreamy expression that everything is fine and under control. She is like a primordial mother, a queen or a heroine of the times bearing all its weight. Concrete and fibreglass are materials that need opposite processes when they are cast in order to harden. Two different materials refer to duality and at the same time to the synthesis of paradoxical qualities, as is the case with every human being. By using one’s own casting, by bowing to one’s own ego, there is a reconciliation over oneself and an acknowledgement of oneself as one’s own muse.